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DRAGON’s TALE: A soaring epic across generations
Written by Mark Brownell
Composed by Chan Ka Nin
Directed by Michael Hidetoshi Mori
Music Director David Fallis, Naomi Woo (June 18)
June 15 – 18, 2023
Harbourfront Centre Concert Stage
A Tapestry Opera and Soundstreams co-production.
Content warning: Dragon’s Tale contains death by suicide.

Co-presented by Luminato Festival Toronto and realized in partnership with Harbourfront Centre


Artwork by Gracia Lam
FROM TAPESTRY OPERA
Welcome to Dragon’s Tale! If it’s your first time at a Tapestry show, welcome. If you know us well, welcome back! Either way, we’re so glad you’re here.
Tapestry Opera is a 44-year old company, the only professional company in Canada dedicated solely and obsessively to the cultivation, commissioning, development, and producing of new works of opera. We believe that opera is a vast, expansive art form, and that there is no end to the stories that we can tell. We celebrate creators and artists who disrupt the status quo, who access universal emotions through specificity of storytelling, and who are engaged in the time and place they live. Opera is an art form of possibilities, and we know that those possibilities can stretch on forever.
Chan Ka Nin and Mark Brownell have a long history with Tapestry; their work Iron Road premiered in 2001 as the largest work Tapestry ever produced to date, and was an incredible spectacle of beauty, history, and fable. When they approached us about Dragon’s Tale in 2018, we knew that there was similar magic at work – a story that stretches backwards and forwards, but keeps the humanity of its characters at its heart. After many years of starts and stops, we are so delighted to be here with you.
Thank you for joining us for this epic journey on the water, through the mists of time and place. We hope that in the end, you find yourself at home.
Michael Hidetoshi Mori, Artistic and General Director
Jaime Martino, Executive Director
FROM SOUNDSTREAMS
Soundstreams is celebrating its 40th anniversary this season, and it’s so fitting that we’re premiering an opera by Chan Ka Nin at the culmination of this celebratory season. Soundstreams’ history with Ka Nin, and mine as oboist, go backnearly three decades, beginning with The Charmer, a work commissioned in 1994 for our Encounters series. Encounters was co-produced with CBC’s Two New Hours in the Glenn Gould Studio and I premiered this work for my instrument – the oboe’amore – together with chamber ensemble. It was subsequently recorded and released on a CD of Canadian music called The Charmer, still available on the Centrediscs label.
A number of Soundstreams commissions followed, but of particular interest in the context of Dragon’s Tale was that for the oratorio The Weaving Maiden, premiered on the Encounters series in 2006. The Weaving Maiden has much in common with Dragon’s Tale: it features a libretto by Ka Nin’s long-time collaborator Mark Brownell; both are centred around a quintessential ancient Chinese legend, in that case a story of unrequited love; the orchestras in both include Western and non-Western instruments, i.e., traditional Chinese; and both incorporate Western and non-Western operatic traditions, including those from Beijing Opera.
In addition to our long history with Ka Nin and Mark, we’re also delighted that Dragon’s Tale incorporates performing artists that are near and dear to us having worked with Soundstreams over many seasons. These include Dragon Tale’s music director David Fallis, who is also the music director of Soundstreams Choir 21, a project choir formed more than a decade ago specifically for the performance of contemporary music and opera. And Ensemble Soundstreams itself has a history of performing and touring music that combines Western and non-Western instruments. That ensemble has toured to the Beijing Modern Music Festival, the Shanghai New Music Week and has appeared in Tapei’s National Concert Hall.
Dragon’s Tale marks our third major co-production with Luminato, the first being R. Murray Schafer’s monumental opera The Children’s Crusade in 2009, the second being Hell’s Fury, The Hollywood Songbook in 2019, starring Russell Braun.
We thank Luminato for their continuing support for Canadian music and contemporary creation. This is our first co-production with Tapestry Opera of a staged work and we thank them for being such a resourceful and talented partner.
– Lawrence Cherney, Founding Artistic Director
FROM LUMINATO FESTIVAL TORONTO
Luminato has been proud partners with both Soundstreams and Tapestry Opera over many festivals, and we are so excited to be collaborating with both organizations, together, in 2023. We began talking about presenting Dragon’s Tale in 2019, so it’s been a long time coming, and I could not be more thrilled to see this beautiful project come to fruition. Dragon’s Tale is a tremendous work by the brilliant team of Chan Ka Nin and Mark Brownell which tells an important story for our city.
Offering the opera to the public for free, on the water, in partnership with our friends at Harbourfront Centre, is a wonderful way to honour the story of Dragon’s Tale after so many years of planning. Thank you for coming. Enjoy the show, enjoy the lake, enjoy Luminato Festival Toronto!
– Naomi Campbell, Artistic Director
Composer’s Note
Growing up in Hong Kong, my fond memories are the festivals, often associated with fun activities such as lighting firecrackers and playing with lanterns. Together with special foods and a public holiday, what’s not to like? When Dragon Boat racing became popular in Canada, I was amazed this Chinese cultural event is practiced worldwide, and I decided to write an opera to tell the story behind this legend, Qu Yuan because this loyal minister in the court of Chu from 2300 years ago is not that well known in Canada. My first thought is to ask Mark Brownell, a writer with whom I have worked for over 20 years, to write the story and the text. As always, Mark is a good sport and dives into the subject. After 8 years, he knows more about Qu Yuan than I do; initially, I did not know he was also an influential poet. In the process, we incorporate this ancient story into a modern-day story of a young girl and her father. Both Mark and I have a daughter, and our parental experience is inevitably reflected in the story. I am very thankful to Mark, and the dragon team: Michael Mori of Tapestry Opera, Lawrence Cherney of Soundstreams, and music director David Fallis, for realizing the tale from the past.
– Chan Ka Nin
Librettist’s Note
I am grateful for the kind support of composer Chan Ka Nin and the Tapestry Opera creative team. It is always a challenge to adapt factual history into drama. With Dragon’s Tale, we have chosen to present a simplified version of the great poet Qu Yuan’s life. The historical record is far more complex, of course, but the essence of the man and what he sacrificed remains.
– Mark Brownell
Director’s Note
Collaborating with composer Chan Ka Nin and librettist Mark Brownell has been a great pleasure with a dynamic that is a reflection of the show. Both creators are fathers with adult children, whereas I relate more to this story as the son of an immigrant father. While the opera features the story of Qu Yuan, for Xiao Lian, it is the struggle of a child with a stubborn parent that forces the exploration of Qu Yuan’s mythical past, and that tricky intergenerational dynamic is where I find the most resonance.
At the heart of Dragon’s Tale are three propositions. One for parents: despite your lived experience, your children, especially in times of change, must be fundamentally different to adapt and thrive. One for children: you may never know the full picture of your parents, and you should not judge them by the last 5 minutes or years of their life. The final proposition is for Toronto as a model for many places in the world: With a younger population composed of many children of immigrants, any one person’s cultural identity is fluid, complex and unique and mostly accepted as such. This feature of cities like Toronto, Vancouver, and Montréal I humbly put forward as a great opportunity for Canada to lead in celebrating common humanity and cultural differences as complementary.
– Michael Hidetoshi Mori
Music Director’s Note
Dragon’s Tale tells the story of a young woman struggling to find balance as she incorporates many sides of her family and cultural inheritance into her modern life. And so it is entirely appropriate that the music in Dragon’s Tale is also a combination of many styles and influences. This has been one of the great pleasures of working on the piece, discovering moments of challenging contemporary writing beside heartfelt musical theatre ballads, Chinese pentatonic melodies beside astringent chromaticism, and in the orchestra, traditional Chinese instruments beside traditional Western ones. And all of these varied themes and styles are brilliantly woven together by Chan Ka Nin to create a unique synthesis where musical motifs shift and transform in an ever-changing kaleidoscope of colours.
– David Fallis
Synopsis
Dragon’s Tale is the story of a young Chinese-Canadian woman (Xiao Lian) and her ailing father, both living in Toronto. Xiao Lian wakes up in the ancient past and witnesses the last days of one of China’s greatest poets, Qu Yuan. In doing so, she begins to understand her father and herself as she returns to a challenging present.
Scene 1 | A young Chinese/Canadian woman (Xiao Lian) faces a difficult choice: Honour her family’s traditional past or embrace a more modern future. Her father dwells on the memory of his deceased wife and honours her by performing the Qingming funeral tradition. Meanwhile, Xiao Lian’s two friends want her to get out and be more social. Her father objects to this and demands that she stay home.
Scene 2 | Xiao Lian’s father bitterly reveals that he will die soon. Xiao Lian’s mother appears in spirit form and asks her to forgive her father. She speaks of their happiness together as a family in earlier times. As a child, Xiao Lian had a close connection with the Dragon Boat Festival, known as Duanwu and its hero, the ancient poet Qu Yuan. Her Father and Qu Yuan are linked together by fate.
Scene 3 | Xiao Lian vows to look to the past and summons the great spirit of Qu Yuan. His spirit rises and assumes the form of Xiao Lian’s father.
Scene 4 | Xiao Lian is transported back to the ancient royal court, where she witnesses the majestic entrance of King Huai of Chu. Qu Yuan is at the peak of his power but is soon outfoxed by rival minister Zhang Yi. Qu Yuan is cast down and banished by his beloved king.
Scene 5 | Qu Yuan wanders into the southern wilderness. As he travels, he composes a lament for himself and his lost position in court. In the present, Xiao Lian’s Father senses his end is near. Summoning up his strength, he joins with the spirit of Qu Yuan to tell the final chapter.
Scene 6 | Years later, Qu Yuan has earned the honour and respect of the people in a little fishing village on the river Miluo. Xiao Lian and a local villager strike up a conversation with Qu Yuan, and it is soon revealed that The Kingdom of Chu has been destroyed by its enemies. After learning this news, Qu Yuan’s heart breaks, and he drowns himself in the river. Xiao Lian and the villager raise the alarm, and the fishermen launch their dragon boats in a desperate attempt to save Qu Yuan.
Scene 7 | All hope is lost as the villagers return and collect Qu Yuan’s possessions. They take the scrolls containing his famous poetry to the Daoist temple, where they will be preserved forever. Xiao Lian returns to the present at the bedside of her dying father. With his encouragement and love, she finally recognizes the value of honouring the past.
Scene 8 | Xiao Lian performs the Qingming ceremony to honour the spirit of her departed father and mother. Love and fellowship combine in the running of a dragon boat race. Xiao Lian joins her friends and crosses into her future.
Scene 9 (Epilogue) | The combined spirits of Qu Yuan and Father return and ask the audience to release them from their servitude. That freedom granted, they ascend into the heavens triumphantly.
Creators
Cast
SOUNDSTREAMS Choir 21
Founded in 2010 by Soundstreams’ Artistic Director Lawrence Cherney, Soundstreams Choir 21 is a pre-eminent group of exceptional singers selected on a project basis by Music Director David Fallis. Soundstreams Choir 21 members are handpicked for their ability to perform contemporary choral music. They are drawn from a pool of professional choristers, including the Canadian Opera Company Chorus, Tafelmusik Choir, and The Elmer Iseler Singers. The choir appears in Soundstreams’ concerts under David Fallis and with renowned guest conductors such as James MacMillan, Tõnu Kaljuste and Péter Eötvös. Soundstreams Choir 21 has performed with the Toronto Symphony Orchestra and for the Toronto International Film Festival, Art of Time, and Continuum. Soundstreams Choir 21 is committed to the highest possible standards for the performance of compelling new choral music in the 21st century.
David Fallis | Music Director & Conductor
Grace Lee | Soprano
Clara Krausse | Soprano
Gisele Kulak | Soprano
Alyssa Nicole Samson | Alto
Veronika Anissimova | Alto
Claudia Lemcke | Alto
Mike Fan 范祖铭 | Tenor
Robert Busiakiewicz | Tenor
Benjamin Keast | Tenor
Keith Lam | Bass
Jacob Feldman | Bass
Bryan Martin | Bass
ENSEMBLE SOUNDSTREAMS
Soundstreams has no permanent ensemble but has worked for more than twenty years with a nucleus group of some of Toronto and Canada’s finest instrumentalists assembled by the excellent cellist David Hetherington. As with Soundstreams Choir 21, they have appeared under esteemed international conductors of the stature of James MacMillan, Tõnu Kaljuste and Péter Eötvös. Ensemble Soundstreams made its first international tour to the Beijing Modern Music Festival and Taiwan’s National Concert Hall in 2013, returning to China in 2018 at the invitation of the Shanghai New Music Festival.
Creative, DESIGN & Production Team
Behind the scenes
Past & Present
Soprano Alicia Ault (Xiao Lian) performs Past & Present from Dragon’s Tale. This piece shares Xiao Lian’s struggle to either “embrace new life and be free and selfish” or “embrace the past and be stuck in a dream”
Thank you to our Sponsors & Supporters
Dragon’s Tale is supported by George and Kathy Kawasaki.
We gratefully acknowledge our public and private supporters.
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Luminato Festival Toronto Supporters

Community Sponsor

Cultural Media Sponsor

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Thank you to our members for their generosity and commitment to supporting new opera creators!
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SOUNDSTREAMS DONORS
PREMIERE CIRCLE $5,000 +
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CREATOR CIRCLE $2,500 – $4,999
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SOUND CIRCLE $1,000 – $2,499
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*monthly recurring donor
This list reflects donations from December 1, 2021, to May 30, 2023. Every effort has been made to ensure it is correct. Should you notice an error, please get in touch with Zoe Lin (416) 504-1282 ext. 104 or email zoel@soundstreams.ca
COMPANIES
Tapestry Opera
Tapestry Opera is an award-winning Toronto-based company dedicated to creating, developing and performing original Canadian opera. Tapestry is passionate about uniquely Canadian stories, told in innovative settings, unforgettably interpreted by world-class artists. Tapestry supports emerging artists, develops new audiences and brings Canadian opera to the world stage. Founded in 1979, Tapestry is the voice of original contemporary Canadian opera.
Michael Mori, Artistic and General Director
Jaime Martino, Executive Director
Stephanie Applin, Director of Advancement
Mélanie Dubois, Artistic Producer
Clay Jones, Marketing and Communications Manager
Dona Arbabzadeh, Box Office and Patron Services Associate
Sami Anguaya, Advancement Associate
Camille Rogers, Program Manager, Women in Musical Leadership
Zile Liepens, Graphic Designer
Dragon’s Tale artwork by Gracia Lam
Soundstreams
Founded in 1982, Soundstreams is one of the world’s leading contemporary music companies and the largest global presenter of new Canadian music. Founding Artistic Director Lawrence Cherney and Executive Director Beth Brown are committed to showcasing the work of Canadian and international composers on the world stage with the aim of creating a lasting legacy for Canadian music.
Soundstreams’ focus is innovative thematic and experiential programming through which the organization serves a broad community of music lovers. Annual activities include its Main Stage series, a free community outreach series TD Encounters and two professional development programs: New Voices Mentorship Program for aspiring curators; and RBC Bridges Showcase for early career composers. Soundstreams is embarking on an ambitious recording project of the choral music of the late R. Murray Schafer and has two productions touring in North America and Europe in the coming seasons.
Lawrence Cherney, Artistic Director
Beth Brown, Executive Director
Graham Cozzubbo, Manager of Artistic Planning
Michael Ding, Arts Administrator
Emma Fowler, Programs Manager
Zoe Lin, Manager of Advancement & Patron Engagement
Kayla Milmine, Administrative Coordinator
Kirk Thomson, Marketing & Audience Engagement Manager
Luminato Festival Toronto
Luminato Festival Toronto is a convenor and catalyst for big, bold contemporary works of art. Each June, Luminato kicks off the summer with a festival to welcome the world to Toronto, commissioning, producing, and presenting exceptional Canadian and international artists. Throughout the year Luminato works with artists from the diverse cultures and communities of the city region, supporting creative development and bringing their art to the world stage. We connect local voices with global conversations and ground our work in equity, inclusion, accessibility, and sustainability. Most importantly, we believe in the power of art to start conversations and inspire audiences.
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